![]() The chord progression is complex, but it is all played with notes in the E minor scale, so it allows for almost any note at any time on the NAF.ġ8. The second track by Jacqueline Bhuyan, done in a very open and spacious style. I added huacas and jingle bells for ambience.ġ7. A backing-track version of Lynn Miller's Earth track from her Mystic Song CD. I recorded it on a Zoom H4 and added percussion later back in the studio.ġ6. Jim Parker was messing around on the guitar and flute when we were out in Solitude, Utah, and I realized it was the ideal backing track. I love playing long tones over this track.ġ5. James Cook developed this gorgeous background track with an easy chord progression on the guitar. Check out her new piano CD Reflections on Life's Journey, done with cellist David Darling.ġ4. Be enveloped in the mist on the shores of the Celtic Sea, in this first of two tracks written and played by Jacqueline Bhuyan, with arrangement, orchestration, and mixing by her son David Bhyuan. Here is an overdub to the Simplicity track played by Rick Aeschliman:ġ3. ![]() This happened an hour before a scheduled on-line concert, so I raced around the studio to record and mix it as a backing track that was used in the concert. I stumbled on this simple chord progression on the piano and got hooked on it. A track by Peter Dubner, playing on a synthesizer that was generating a 12-string guitar sound.ġ2. Here is an overdub to the Serenade track played by Richard Brooner:ġ1. A sweeping, majestic track by composer Richard Brooner. Here's an overdub of this background track by Randy Motz, titled Grand Canyon Winds, track 11 from his CD Canyon Whispers (available on Amazon and CD-Baby):ġ0. You'll need to work with and support Alfred's cello solo from 1:38 to 2:20. This groove track by Lynn Miller and Eric Miller on guitars and Alfred Goodrich on cello works beautifully with an E Minor Native Flute. I am very grateful to be able to include on this CD.ĩ. This track is from his CD Translucent and works great with an Em flute. In addition to his fantastic flute playing, I found out on the last day of the school what an incredible pianist he is. In June 2009 Roth Herrlinger joined us for the Lyndall Sargent suggested the name of this track. Ron Kravitz added the djembe that starts at 1:23 to ground the track more in a rhythmic feel. This track was originally done as a demo for an independent movie. My approach to a "movie theme" style track. Vera and I headed down to Jim Oshinsky's Jim's home in Baldwin, NY, and he laid down this jazz bass-groove over a steady trap-set rhythm.ħ. People have been asking for some jazz-style grooves for a while on the NAFTracks series, so here it is! Put on your shades and step into a smoky bar with your Em flute and go wild. It's a complete song composition, so following the structure and feel of this track makes for a complete song/performance.Ħ. We recorded Gene's cello and David's violin on separate track, so I was able to pull out the piano as a solo. The piano track from an improvisation done by Peter Dubner during a recording session with Eugene Carr and David Rudge. Heavy on the bass and percussion, with a 2-chord vamp that is straightforward to follow.ĥ. A groove track I put together in the style of Moroccan Gnawa music. This was done shortly before his album Siyotanka won the Native Heart category at the 2009 NAMMY Awards.Ĥ. A solo piano improvisation by Michael DeMaria in the studio. The end is rather sudden, so you have to listen for it coming.ģ. It switches back and forth between a minor mode and a major mode. It's a great track to practice with for “playing over chord changes”. An upbeat guitar groove that I hit on and fell in love with. Work with how to support the piano solo on the NAF during this section.Ģ. The piano solo in the middle (from 2:00 to 2:40) is a change from the repeating pattern, and provides an interesting change-up that makes it a complete song (rather than a jam-groove). It's an example of a descending scale ostinato (repeating pattern) Īn improvisation by Peter Dubner in the studio, I am ever grateful to the incredible musicians who contributed to these tracks. Hearts Assemble - Peter Dubner, Eugene Carr, David Rudge Hush - Jacqueline Bhuyan, David Bhuyanġ8. Emerald Isle - Jacqueline Bhuyan, David Bhuyanġ7. ![]() Irish Spring - Lynn Miller, Eric Miller, Alfred Goodrichġ3. ©2009 Manifest Spirit Records, 21 tracks, MSR-NT04.ĩ. Ordering information: This CD is available now! ![]() 21 tracks in different styles that can be used for practice or performance. Welcome Recordings Artists Reviews Resources ContactĨ0 minutes of background music for improvising and jamming in the key of E Minor. Native Flute Tracks - Jam Tracks in E Minor
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